GaGa about women

Lady GaGa has had sex with women but has only ever been in love with men, she revealed in a new interview.

The pop icon appeared on US TV as a guest of Barbara Walters this week, where she asked about her private life.

She confirmed that international chart smash "Poker Face" was inspired by her fascination with same sex relationships.

"That's really what the song was all about - why when I was with my boyfriend was I fantasising about women?!", she told the chat show host.

When asked by Walters about her lesbian flings, she explained: "I've certainly had sexual relationships with women, yeah".

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Frank Talk with Lady Gaga - LA Times interview

Reporting from Boston – Almost immediately after she deposited herself in a corner booth at L’Espalier, the restaurant at Boston’s Mandarin Oriental Hotel on the December afternoon after the first American date of her Monster Ball tour, Lady Gaga made a confounding statement.

“I don’t see myself as ever being like anybody else,” said the 23-year-old known to her mom (eating lunch nearby) as Stefani Germanotta. “I don’t see myself as an heir.”

Yet there she was, in a blond Hollywood bob and black tuxedo-bra combo much like the costumes Madonna wore 20 years ago, discussing a show that conjures the spirits of Michael Jackson, David Bowie and the punk-rock drag queens of downtown New York and promoting music — the newly expanded edition of her 2008 debut album, “The Fame,” greatly enriched by eight new songs and repackaged as “The Fame Monster” — that pays blatant homage to ABBA, Queen, Eurodisco and Marilyn Manson.

Gaga doesn’t care. She wants you to trace her references. ” John Lennon talked about how with every song he wrote, he was thinking of another artist,” she said, making a less expected connection to a pop deity.

She’s yet to attain the status of the Beatles, but in the ever-accelerating pop cycle, Gaga is a top sensation, and many people’s vote for the most exciting artist of 2009. “The Fame” has sold nearly 2 million copies in the U.S. and reportedly double that internationally; her album and the single “Poker Face” both made the top three on the year-end tally of top iTunes downloads.

“The Fame Monster” continues this sales sweep, but it also considerably advances Gaga’s artistic project with some of her strongest songs yet, including the earworm-infested “Bad Romance” and the sumptuously emotional ballad “Speechless.”

The world is responding. She’s made friends with Madonna, been interviewed by Barbara Walters and met the Queen of England at the annual Royal Variety Performance. The Monster Ball has sold out multiple nights in major cities including Los Angeles, where it comes to the Nokia Theater at L.A. Live for shows Dec. 21-23.

This is all happening not because Gaga is cute or takes off her clothes but because (to use one of her favorite words) she is a monster — a monster talent, that is, with a serious brain.

During nearly two hours of conversation, she not only reiterates her assertion of total originality but also finesses it until it’s both a philosophical stance about how constructing a persona from pop-cultural sources can be an expression of a person’s truth — à la those drag queens Gaga sincerely admires — and a bit of a feminist act.

“I’m getting the sense that you’re a little bit of a feminist, like I am, which is good,” she said. “I find that men get away with saying a lot in this business, and that women get away with saying very little . . . In my opinion, women need and want someone to look up to that they feel have the full sense of who they are, and says, ‘I’m great.’ ”

Gaga’s casual use of the term “feminist” was interesting; like many female pop stars, she’s rejected the term in the past. But she’s evolving. She is growing “more compassionate,” she says, and focusing more on ideas of community, especially the one formed by her core fan base, a mix of gay men, bohemian kids and young women attracted by Gaga’s style and her singable melodies.

Grand declarations

Her new songs address serious themes like women’s shame about their bodies and the need for open communication in relationships; her often physically distorting costumes show that the pursuit of the feminine ideal is far from natural. Her commitment to confront the changing notion of what’s “natural” puts Gaga on the same road traveled by artists she admires, such as the photographer Cindy Sherman. Her frank talk about how female artists aren’t expected to write their own songs or about how young women are afraid to ask for what they need from their sexual partners inches her toward a new articulation of feminism.

“If you ask somebody where you see sexism in your life, all they think of is the old stuff,” said Nona Willis Aronowitz, co-author of the new book “Girldrive: Criss-Crossing America, Redefining Feminism,” by phone. “Equal pay, that’s not really on their radar. Domestic violence and rape aren’t necessarily in the forefront. But you ask about double standards or restrictive gender roles, they don’t think of that as sexism; they think of that as the way it is. That’s kind of like what Lady Gaga is talking about.”

Gaga does view her music as a liberating force. “When I say to you, there is nobody like me, and there never was, that is a statement I want every woman to feel and make about themselves,” she continued. “I don’t make it as a defense. I make it as, OK, guys, it’s been two years, and I’ve made a lot of music, and I know my greatness is individual. And I want every woman to be able to say that.”

This is one of Gaga’s gifts, maybe the one that most distinguishes her from the other talented women directing the pop zeitgeist right now, such as her recent collaborator Beyoncé, her fellow couture hound Rihanna or her rival in redefining blondness, Taylor Swift. Gaga makes outrageous declarations — which, when you break them down, actually make sense. And then she backs them up, not only through her now famously provocative interviews but in her videos, her collaborations with designers and artists, her live performances and those infernally catchy hits.

Upending genres

As good a game as she talks, Gaga’s real language is visual and, of course, musical. Discussing videos like the one for “Bad Romance,” which she says is about “how the entertainment industry can, in a metaphorical way, simulate human trafficking — products being sold, the woman perceived as a commodity,” or the Ace Bandage-adorned costume she wore at the American Music Awards, which she said was “meant to be feminine, healing, bondage gothic,” she sounds more like an art critic than an evolving club kid.

“It’s a feeling,” she says of the way she builds these little horror musicals. “There is a narrative, but the narrative isn’t nearly as important as the images are, sewn together.”

As for the songs that serve as the foundation for all of her other forms of expression, Gaga says she never wanted them to be anything but massive hits. “I don’t want to make niche-oriented music,” said the songwriter, who entered the music business writing hits for other artists, including Britney Spears. “I don’t like it! I don’t mean that to be in a rude way. But my taste is not there.”

At a time when pop genres are colliding and collapsing, Gaga is contributing to their downfall. She notes that “Boys Boys Boys,” the first song that she wrote with her main producer RedOne, is a club track that borrows its “gang chorus” from the hard rock of AC/DC. “I told him, I want to make pop music that my heavy metal friends will listen to,” she explained.

“Aside from her few piano ballads, which are like early 1970s Elton John, her dance music is pretty much on-the-money current Euro dance,” said her recent collaborator Adam Lambert in a separate interview. “But she’s a rock star in her mentality. [Her attitude is] like, ‘I hope this makes you look. I’m going to be subversive and out there because it makes me feel good and liberated to be that way.’ ”

It’s arguable that Gaga could only realize her artistic vision in the center of the pop mainstream. Her critical supporters laud her for reconnecting pop to other cultural forms and for revitalizing the stream of art-into-pop first opened up by bands like Roxy Music and the Patti Smith Group.

But she’s not alone in that effort. Kanye West played a gala at the Museum of Contemporary Art before she did; Beyoncé referenced Bob Fosse. Go a notch lower in visibility, as Gaga’s critics point out, and examples abound of rock and club kids with art connections, from Karen O to Alison Goldfrapp.

Gaga has done something more specific: She’s tapped into one of the primary obsessions of our age — the changing nature of the self in relation to technology, the ever-expanding media sphere, and that sense of always being in character and publicly visible that Gaga calls “the fame” — and made it her own obsession, the subject of her songs and the basis of her persona.

“Celebrity life and media culture are probably the most overbearing pop-cultural conditions that we as young people have to deal with, because it forces us to judge ourselves,” she said. “I guess what I am trying to do is take the monster and turn the monster into a fairy tale.”

That stars embody the social concerns of their age is a pop-culture truism. But only rarely does an artist dig beneath the dermis of our shared anxieties, exposing the liquid matter that runs through the shared fantasies and delusions of a particular moment.

“It’s kind of like a crusade in its own way,” she said. “Me embodying the position that I’m analyzing is the very thing that makes it so powerful.”

Owning her image

Since the release of “The Fame,” Lady Gaga has been uncovering new layers within her basic themes. At first she just seemed like the most pop savvy of the clever young people using club beats as a basis for music that could be both cerebral and cathartic — the way indie rockers used heavy guitars a generation before. It was easy to dismiss her as no more than a well-educated New York girl with a gift for pop hooks and self-marketing.

But then her public appearances began to not simply provoke but disturb. She made a video for her song “Paparazzi” that had her in gilded crutches and a leg brace. She turned that vision of crippled glamour even bloodier on the MTV Video Music Awards, an appearance she described as “my first truly original moment.”

She’s worn costumes that recast childhood icons like Kermit the Frog and Hello Kitty into ingénue’s pelts. (The Kermit dress was designed by Jean-Charles de Castelbajac, who’d previously adorned Madonna in teddy bears; the kitty couture was the brainchild of Gaga’s main creative partner, Matthew “Matty Dada” Williams.) She’s painted her eyes to look like an anime heroine. In the climactic dance sequence from Monster Ball, she adorns herself in the black feathers of a vulture and the yards-long blond braids of a victimized princess.

“I had a different vision for it in the beginning. Dada thought it should be braided, and I said, ‘I never wear my hair braided.’ He said, ‘I know, but it’s so Rapunzel, and it’s something people deeply understand. And when you’re wearing sunglasses on a scaffolding piece with a giant alien dancing behind you, I promise you it’s not going to look like Rapunzel.’ ”

The hairpiece does look like something concocted by crafty kids in a basement; it reflects a key element of Gaga’s aesthetic, the do-it-yourself spirit that contrasts with her taste for million-dollar couture. She works with major designers such as Alexander McQueen, who created many of the Monster Ball costumes, but also with newcomers like Gary Card, who made the skeletal headgear she and her dancers wore on the AMAs.

“The great thing about Gaga is she always want to push for the most extreme option,” Card said. “She’s brave enough to let herself be a canvas for a designer to go and really express themselves. Nothing is off limits! With Rihanna and Beyoncé there is an end result of desirability and unattainable sexiness, whereas Gaga is a really interesting bridge between the desirable and the grotesque. She’s not at all worried about looking ridiculous or hideous; actually, I think she thrives off it.”

If Gaga is to maintain her distinctiveness, she’ll need to preserve her orientation toward art as kids putting on a show. It’s what connects her performance of fame to Andy Warhol’s vision instead of Simon Cowell’s. She’s been derided for constantly citing the Pop pioneer, but the connection is real.

Having gotten her start in the bohemian enclaves of downtown New York City, Gaga is deeply indebted to Warhol’s “Superstar”-oriented Factory scene and its aftermath, which produced drag performers like Candy Darling, artists such as Robert Mapplethorpe and streetwise rock stars including Lou Reed and Patti Smith, who declared glamour accessible to anyone with a Polaroid camera, a glue gun or a cheap guitar.

“The idea is, you are your image, you are who you see yourself to be,” she said. “It’s iconography. Warhol and I both went to church when we were younger. That’s how I see things. I don’t want anyone to feel trapped by their own lives. That to me is more dangerous than anything.”

On fantasy island

In Gaga’s movie, she is both Andy and the Superstar. Warhol supported and exploited a coterie of outsiders who likely would never have emerged from their corners without his help. Gaga takes control but also shows herself losing it; she blurs the lines between self-realization and self-objectification, courting the dangers of full exposure for a generation of kids born with camcorders in their hands.

Though she talks nonstop about liberation, Gaga’s work abounds with images of violation and entrapment. In the 1980s, Madonna employed bondage imagery, and it felt sexual. Gaga does it, and it looks like it hurts.

She says she wants her fans to feel safe in expressing their imperfections. “I want women — and men — to feel empowered by a deeper and more psychotic part of themselves. The part they’re always trying desperately to hide. I want that to become something that they cherish.”

But what is this freakishness, which she hopes to nurture? In songs like “Poker Face” and the new “Speechless,” Gaga focuses on women as unreliable narrators, misunderstood or even unable to speak. When she presents herself as a cartoon character or a space alien, she explores old questions about gender, artifice and “reality” using the new language of social media, body modification and transgender sexuality.

These deep issues are her tools, as important to her art as the glitter and latex in which she shrouds herself. “If you’re on an island, stranded, and all you have is sticks and leaves and pineapples, you’re gonna make a boat out of sticks and leaves and pineapples,” she said. “I view glamour and celebrity life and these plastic assumptions as the pineapples. And I spend my career harvesting pineapples, and making pies and outfits and lipsticks that will free my fans from their stranded islands.”

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Lady GaGa’s Royal Variety Performance!

Her Ladyship met Her Majesty last night, as Lady Gaga was politely asked “what do you do?” by Queen Elizabeth at this year’s Royal Variety Performance in Blackpool. In a surreal fashionista nod to the monarch’s ancestor and namesake – but in a less flesh-flashing manner than is her norm of late.

Lady Gaga wore a red PVC dress complete with enormous ruff and puffed sleeves, together with some bizarre jewelled red eye shadow. Maintaining whatever dignity you can when playing piano suspended 20 feet above the ground, Gaga was ultra-careful in offering the Queen the deepest curtsey her outfit would allow, both after her performance and during the traditional face-to-face meeting all performers have with Her Majesty – she was also well-versed in knowing not to speak until spoken to and to address the Queen as “Ma’am.”

However, the US singer-songwriter, aka Steffani Germanotta, was specifically banned from performing in front of the Queen her now standard ’suicide’ stage routine of stabbing herself and releasing fake blood.

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ELLE Makes A Lady of Gaga

Vainstyle was anticipating the calm after the Gaga fashion storm and after a few recent hints, its finally here. A toned-down, but certainly fashion friendly Lady Gaga graces the cover of the newest ELLE Magazine. Gaga is seen in a simple black lace ensemble and allows her entire face to be exposed with very minimalist make-up. It’s even rumored that she has even had some cosmetic work done to her face.

On bodily reactions to stress: “I get all the symptoms of a pregnant woman. I get headaches, I get tired, I get blurred vision sometimes during a really intense session with [her creative team] the Haus.”

On a recurring theme in her work: “I feel that if I can show my demise artistically to the public, I can somehow cure my own legend. I can show you so you’re not looking for it. I’m dying for you on domestic television—here’s what it looks like, so no one has to wonder.”

On being a former waitress: “I was really good at it. I always got big tips. I always wore heels to work! I told everybody stories, and for customers on dates, I kept it romantic. It’s kind of like performing.”

On using her sexuality: “My album covers are not sexual at all, which was an issue at my record label. I fought for months, and I cried at meetings. They didn’t think the photos were commercial enough…The last thing a young woman needs is another picture of a sexy pop star writhing in sand, covered in grease, touching herself.”

On her romantic future: “In eight to 10 years, I want to have babies for my Dad to hold, grandkids. And I want to have a husband who loves and supports me, just the way anyone else does. I would never leave my career for a man right now, and I would never follow a man around.”

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John Mayer think Lady Ga Ga’s Song Sonically Captures a Smell

Yes, anyone can be famous, but how long did they actually took be really famous? Thanks to the exposure that she received, Lady Ga Ga managed to get her debut song to reach the number one spot in five countries in a matter of weeks.

John Mayer recently left a remark about Lady Ga Ga’s song, “Lady Ga Ga has a cool song, because it somehow sonically captures a smell.” – Just what does it mean when John Mayer say that about Lady Ga Ga’s song? What kind of smell would it be? And which song is he actually referring to?

Is he referring to her song “Just Dance” because she’s too drunk to even remember the name of the club that she’s dancing at? Perhaps it’s the smell of champagne that she has all over her body? Or is he actually referring to the music and lyrics that she is using in her songs.

She writes her own lyrics and even writes the lyrics for other singers like Britney Spears and Pussycat Dolls. Did you notice how boring most of the songs that we currently have on radios right now? Well, there’s something different with Lady Ga Ga’s music because her music has unique mixture of rock with techno and one can never feel bored listening to her song.

Let’s hope she will stay original and sing inspirational dance music like what she has now.

We’ll never know for sure what John Mayer really means when he tweet about Lady Ga Ga’s song, but the odor doesn’t really matter because I am sure she still smell very good when she’s drunk.

Do you agree with what John Mayer about Lady Ga Ga’s song? What kind of smell do you think her song is like? Please share your thoughts with us!

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Is Paris Hilton Gaga For Lady Gaga?

Apparently Paris Hilton is going gaga over Lady Gaga, her music, and style. Jizell over at Hollyscoop.com told us about this exclusive story of a possible hook up between Lady Gaga and Paris Hilton. This is what they reported:

Paris Hilton is gaga over pal Lady Gaga, her music
and her sense of style. Basically, everything about her.

Earlier this month Lady GaGa praised the heiress and her sister saying, "They’re very pretty, and very, very clean. It’s impressive to be that perfect all the time. In commercial terms, they’ve been quite an influence on me!"

Well the feelings are mutual! Hollyscoop caught up with Paris at the Axe Sundance party in Park City, Utah where she gushed about her former school mate Lady GaGa.

“I just read about Lady GaGa's comments and I love her. I think she is an incredible artist. I love her style. I love her music. I listen to her all the time,” Paris told Hollyscoop exclusively.

The two blond artists might even collaborate in the future! Paris says, “I would love to work with her. She seems so cool. She is a very smart girl.”

Paris also mentioned that she would “love to get in touch with Lady GaGa, go to one of her shows.” So what are you waiting for Lady GaGa! Reach out to Paris and you may go from a BF (big fan) to a BFF. Just remember that Hollyscoop hooked you up!

This will be interesting, a colaberation of Lady Gaga's music and the sound of Paris Hilton, can't wait. Lol!

[Image by Wenn.com]

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Lady Gaga-The Lady of the Year

Each year brings about new results and happenings. Lady Gaga, a singer and songwriter, turned out to have a very lucrative 2008. She received a good number of nominations and awards apart from having one great album “The Fame” under her belt. She is said to be working on another album with Michael Bolton and Neyo.

Lady GaGa shows her versatility at being able to belt out different kinds of songs. She does not only stick to the usual song from the pop genre. But she also comes up with her own Christmas songs. In fact she produced a great holiday song entitled “Christmas Tree”.

This singer is just made of sheer brilliance. She can put together a great quirky outfit and yet belt out a song with mellow and even tones. But her brilliance is not the only thing that makes her successful. She is extremely hard working. She puts in a lot of time to finish one song. It is not enough that she comes up with a song. She needs to feel the song. When it comes to her productions, a lot of effort can be seen in the costumes and choreography.

Because of the dedication she puts in all that she does, everything she produces is excellent. She can learn to play the piano by ear. She can compose her own lyrics. She can perform in clubs with great ease. And she can even write songs for other artists and make it a hit. She is so at ease with her talent and ability that she can perform just about anywhere she is.

Last year, Lady GaGa signed in with Akon’s Kon Live. Her first single entitled “Just Dance” first played the airwaves last May and sat at the top 3rd spot. “The Fame”, her debut album came out last October and was well accepted by the music industry. Her album which has songs from the electronic, pop, rock and hip hop genres make people sit up and listen to her music.

Many people comment on her clothes and fashion style as it is rather different. But she just takes their comments into stride. She just feels like wearing anything that is trendy and continues experimenting on different outfits. Her zest for life is seen in her innovative ways. And this will definitely make her a success.

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Lady GaGa cavorts to the top and is now #1!

Lady GaGa has come a long way from the seedy Lower East Side days when she was trying to do anything to get noticed. The dance diva busted her way to the top of the 100 odd Billboard Hot singles Thursday with ‘Just Dance.’ Running 22 weeks, this Grammy song brought her within kissing distance of the record set by Creed’s ‘With Arms wide open’ that ran for 27 weeks.

Come February 8, Joanne Stefani Germanotta, better known as Lady GaGa will brace up for the Grammy award for the most outstanding song recording. On the way she pulled down Beyonce Knowles form the coveted No.1 position. Cruising past the likes of Britney Spears and Kanye West, Lady GaGa seemed to be on an overdrive on the road to Grammy.

She works according to a well thought out plan. When she found herself doing the same thing the others were doing, she hit on the idea of some really raunchy rock ‘n’ roll. Rob Fusari was roped in with whom she had worked with to belt out earlier hits like Dirty Ice Cream and Disco Heaven. Taking a cue from rock group Queen and their song Radio Gaga, she decided to take on the name. But the Lady bit was brought in to lend a feminine touch to her shows and numbers.

And oh yeah, she whizzed past the rest in no time. It took a few demos for Akon to realize her full potential after Interscope cut a deal with her to write the songs. She was soon partnered into a Kon Live deal. It was during her work on the demo tracks for Tami Chynn, artiste for Konvick, that Akon gave the diva the break she needed and deserved to make it to the top. Akon was a conduit to top drawer producers in the business.

Moving to LA, Lady GaGa brought out her debut album, ‘The Fame’ that got released all over quickly moving up the charts in Australia and Canada. Sales touched 24000 in the first week of its release in the US in October 2008. New York Times, US magazine and Billboard magazine went gaga over Lady GaGa as the song peaked to number one on debut at Billboard top Electronic Albums chart while Poker Face too climbed up to number one in Canada and far off places like Australia and New Zealand. CD sales have already topped the charts in Canada for ‘The Fame’.

Critics may cavil about her tendency to imitate Christina Aguilera and deck up with weird things like Amy Winehouse but Lady GaGa is proving to be someone who knows how to get her fans all worked up during shows. But that’s not all about Lady GaGa as she has got rhythm releases waiting for early 2009.

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Lady Gaga and Her Fashion

If a fashion icon like Christina Aguilera remodels herself on you and looks strikingly closer to your total appearance, you can understand that you have arrived on the fashion scene and that too in no small a way.

Lady gaga looks to subtly morph her style associations into a unique gender-bending fashion statement. It is futuristic, very non-traditional. You can see a scantily clad lady gaga in the raunchy videos of just dance and there itself it will strike you that this girl is a little different with her fashion meter. Her fashion was manifest even in the early days when she simply put hairspray cans on fire on stage and came out dancing in her bikini and hot pants.

Lady gaga has perfectly exemplified what loads of self-confident fashion can do. Yes, it can make the purists come sniffing for you but at the same time it is enough to let you make your own style statement. Lady gaga fashion is all about understanding the need of human self-expression. This is something she enjoys in her art, in her life and in her fashion.

She confesses Peggy Bundy and Donatella Versace to be her icons. She feels that music as an art form can always be combined with fashion, attitude and abstract expression. This is where lady gaga fashion becomes universal while being perfectly individual.

Lady gaga has herself designed most of her stage outfits. Her dressing and her make-up is loud yet delicately subtle in parts. Imaging the huge shoulder pads, platinum blond make-up and well sketched out eyelashes.

Lady gaga is reminiscent of Gwen Stefani in the way that she has created her own unique style. There is no hint of moderation yet every thing seems like falling in place for lady gaga fashion. Her fab ensembles are being touted very highly and arguably her onstage clothing is simply the best.

Lady gaga recently revealed her fashion intentions claiming that fashion was everything for her. Even when she wrote a song, she conceptualized a vision associated with the song. This vision was of clothes she was going to wear so in a way, for her, performance art and pop art matched strides with on-stage fashion.

Lady gaga was a brunette till she found that being blonde in the white Andy Warhol mold was something that came more naturally to her.

Lady gaga's fashion may turn a different feather in some time. The girl is way too dynamic to stick to a single statement.

What do you think?

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Ellen says “Just Dance”

You know you’re rocking it when you appear at on the Famous not to mention Hilarious Ellen Degeneres. That’s absolutely how Lady GaGa must have felt. Fans will find themselves ‘in a rush’ as they watch Lady GaGa’s explosive performance on “The Ellen Degeneres Show”.

The rising star with her latest album “Fame”, clearly is getting there. She’s multi-talented, writes her own music, not just her own, but for many other well-known artists, designs her own costumes and has an amazing voice! She and Ellen must have gone to the same dance school since her moves are sort of like Ellen’s and you know Degeneres never fails to bust a move every now and then on her show.

“The Ellen Degeneres show”, with the lady herself as the host is a talk laces upon social topics and daily life. Ellen has a knack of scraping details out of her guests at the same time making them feel completely at home. For Lady GaGa, the Degeneres show will certainly help promote her to higher grounds as the show helps fans build their musical library.  Its amazing how Lady GaGa performed with her fabulous dancing troupe.

Like Degeneres, she isn’t afraid to be herself and faces the critics boldly when questioned about the origins of her name music sound. Many critics and even pop singer Christina Aguilera claimed that they aren’t sure if she is a man or woman –another thing that she and Ellen have in common since Ellen is a out-of-the-closet lesbian.

But, let not the critics blind you from their amazing talents. For GaGa, this is the only the beginning and she’s sure to influence the world greatly. Perhaps Degeneres should look into interviewing her the next time.

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